The year 2015 has witnessed an extraordinary focus on the menstruation of women in social media. For instance, the photo-sharing website/app – Instagram got itself tangled in a controversy of events when it decided to remove photographs of artist and poet – Rupi Kaur, who had posted images of herself lying on a bed with a period stain. This ‘censorship’ of menstruation photos has resulted in a wider process of encouraging the taboo around the word ‘period’. However, after the artist challenged the removal of the image, it was restored back on the website.
In this day and age, there is a dire need for people to transform from a more passive to an active audience. Furthermore, there is a need to demystify the aura around menstruation, and recognise the agony which is faced by women from around the globe. Artist Saviya Lopez, who is currently exhibiting her work at the Clark House initiative, a Mumbai based gallery, has targeted this mystification around the politics of menstruation. Her work, which is being displayed as a part of a larger exhibition titled ‘River with a Thousand Holes’, addresses the link between the status of women and the degradation of the environment.
In the image above, one sees that the bloodied words speak out against the discrepancy between what is real and what is being represented in the advertiser’s practice of showcasing blue instead of red on sanitary napkins. As the artist beautifully captures the parallels of dual realities of menstruation, the exhibition has strong political overtones of ecofeminism. Eco feminist epistemology forms a link between ecology and feminism. Furthermore, the approach shows how women and nature have a strong commonality, thus are united through their shared history of oppression by a patriarchal society.
However, the issues surrounding menstruation lead me to question : how should one fight for women’s rights if the category of ‘women’ is not homogenous? Unlike previous ideologies, which for the longest period of time have looked at women as a uniform category, today’s feminist ideologies go beyond homogeneity and move towards heterogeneity. There has been a significant shift in feminist movements, which has paved the way to give enough room to acknowledge each individual’s subjective bodily experiences. Women are certainly different from men, but even more from one another. Thus, an upper caste Brahminical woman will certainly have different notions and perceptions regarding menstruation compared to a lower caste Dalit woman.
As the topic of menstruation seeps into the work of women artists, women have started to be even more vocal about confronting their subordinate status in society. Art, as I feel, is being used as a medium to convey strong ideas that have deliberately been silenced by androcentricity. After looking at a work of art, one tends to converse or write about it in order to share one’s thoughts with a wider audience…..resulting in a large encompassing process of social change, big or small.